… is polite, and thus not talking while he chews his meal.
Batman…
…ponders the ramifications of a godless multiverse… and shudders.
Batman…
…is thinking Nietzsche was waaaaaaaaay off base with the whole Superman fetish.
Batman….
…is reconsidering the wisdom tracking Killer Croc through the Gotham City sewers yet again.
Tim C, I’m guessing Giella over Moldoff. It’s got that 60s-realism look (with the thin line and extensive hatching) that my man Joe G attempted from time to time before reverting to a bit slicker variant of same by the mid 70s.
And those ears are totally Shelly’s. (Although, if this is a panel from the newspaper strip, it’s at least possible that Giella would be intentionally aping Moldoff;s style, I s’pose.)
I was assuming a mid-to-late 60’s (TV show) influenced panel — maybe Murphy Anderson’s inks over Carmine Infantino’s pencils?
Batman…
…must choose between paper and plastic.
… is not happy that only The Joker got an Oscar nomination.
“I don’t want to be your buddy, Rick. I just want some breakfast.”
Batman…
…is not angry. Just disappointed.
I don’t care if Batman IS the world’s greatest lover – I won’t be judged by anyone.
You just know five seconds after that panel he was THROWIN’ SOME ‘BOWS, son!
..
I thought it looked like Murphy Anderson inks.
..
Murphy’s lines were usually thicker and slicker, definition coming from a few strong brushstrokes rather than an extended series of thin hatches. Giella did have a similar style in the very early 1960s (particularly when finishing Gil Kane), but was even then given to using more and thinner strokes than Anderson to achieve the same effects — just not as many or as thin as he would come to use a few years later.
Wow, whose art is that? It kinda looks like Dick Sprang, but I don’t remember ever seeing him inked that way. It’s gorgeous.
Batman . . .
. . . is not enjoying the Béchamel sauce.
Batman…
…is mildly constipated.
Batman…
…is puzzled at your choice of underpants.
Batman…
… is polite, and thus not talking while he chews his meal.
Batman…
…ponders the ramifications of a godless multiverse… and shudders.
Batman…
…is thinking Nietzsche was waaaaaaaaay off base with the whole Superman fetish.
Batman….
…is reconsidering the wisdom tracking Killer Croc through the Gotham City sewers yet again.
Tim C, I’m guessing Giella over Moldoff. It’s got that 60s-realism look (with the thin line and extensive hatching) that my man Joe G attempted from time to time before reverting to a bit slicker variant of same by the mid 70s.
And those ears are totally Shelly’s. (Although, if this is a panel from the newspaper strip, it’s at least possible that Giella would be intentionally aping Moldoff;s style, I s’pose.)
I was assuming a mid-to-late 60’s (TV show) influenced panel — maybe Murphy Anderson’s inks over Carmine Infantino’s pencils?
Batman…
…must choose between paper and plastic.
… is not happy that only The Joker got an Oscar nomination.
“I don’t want to be your buddy, Rick. I just want some breakfast.”
Batman…
…is not angry. Just disappointed.
I don’t care if Batman IS the world’s greatest lover – I won’t be judged by anyone.
You just know five seconds after that panel he was THROWIN’ SOME ‘BOWS, son!
..
I thought it looked like Murphy Anderson inks.
..
Murphy’s lines were usually thicker and slicker, definition coming from a few strong brushstrokes rather than an extended series of thin hatches. Giella did have a similar style in the very early 1960s (particularly when finishing Gil Kane), but was even then given to using more and thinner strokes than Anderson to achieve the same effects — just not as many or as thin as he would come to use a few years later.