FunkyWatch: April’s Most Depressing Funky Winkerbean And Crankshaft Strips

FunkyApril Over the past 40 years, Tom Batiuk’s Funky Winkerbean has transitioned from a gag-a-day comic strip about a high school to an ongoing chronicle of pure, abject misery. Thanks to the ongoing commentary on Josh Fruhlinger’s Comics Curmudgeon, I am now completely obsessed with it, which is why I spend a little time every month rounding up its finest examples of crushing despair.

This month, things are obviously a little shaky for me, but as is so often the case, I find that it’s pretty easy to take solace in the misery of others, especially when “others” means “Les Moore and his infinitely punchable face,” and I gotta say: Over the past few weeks, this thing has been in rare form. Evil fathers! Memories of cancer! The phrase he was murdered when I was a baby!” It’s a good one. For certain values of “good.”

Funky Winkerbean, April 12:

FunkyApril12

For those of you who haven’t been obsessing over this strip for the past two years, Lisa’s Story is the memoir Les wrote about how his first wife died of breast cancer, and is, to date, the only bit of success that he’s had in his career as a writer. The big development in April has been that it’s finally been optioned for a movie — or in this case, a made-for-cable deathstravaganza — and that Les himself has been given the job of writing the screenplay.

This is important information to know, because what you see above is a strip where we find out that Les’s reaction to the prospect of sitting down and reliving his first wife’s slow, painful death is to get horny enough to start straight up pawing at his current wife until she physically shoves him out of the room.

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CA RIP

CARIP

 

As you probably heard already, AOL shut down ComicsAlliance last week after three years and three Eisner Award nominations. This is pretty upsetting for a number of reasons, not the least of which being that I’m currently out of a full-time job.

More than that, though, CA was a dream job in a lot of ways. I’ve wanted to be a professional writer since I was 12, and CA was literally the place that made that happen, allowing me to quit my day job and focus on making jokes about Batman on a professional level. There were so many opportunities that I got because of that job, and so many friends. That’s the thing about CA, and one of the reasons I think it worked so well: We all really got along, which made it fun to argue with each other and easy to write things that were meant to entertain ourselves more than anyone else. Working with Laura, Joe, Caleb and Andy gave me a pretty incredible amount of freedom to write about things I wanted to write about, and as selfish as it is, losing that is pretty depressing — something that’s been slightly exaggerated by the fact that most reactions are almost treating me like I am actually dead, instead of just sitting at home replaying Fable II  and hustling for more work. But on the bright side, the reaction has been overwhelmingly positive. I’ve gotten a lot of support from friends and readers, and it seems like there are a lot of people out there who are going to miss CA as much as I will. Or, you know, as much as you can without it directly impacting your wallet.

As for what’s next, I’m really not sure. This kind of took us all by surprise, and I have no idea how long ComicsAlliance.com is going to stay up or if they’re going to keep my work available there. War Rocket Ajax is Matt’s and mine, so that’ll continue into the forseeable future (and hey, now might be a good time to visit our sponsors). I’ve got a few unannounced projects that’ll be revealed soon, so I’ll obviously be talking about them here, on Twitter and on Tumblr, and I’ve got that semi-regular gig writing jokes about ’90s technology in movies at Wired, but I still don’t know where I’ll land permanently, if anywhere. I’ve seen  a lot of people mention that I could just keep on writing here, but that’s not really that workable considering that writing here doesn’t make a whole lot of money. A very, very kind reader did throw a donation my way to keep the ISB up and running, though, so there’s that. But, you know, hopefully it’ll all work out.

For now, I’m still just kind of shocked about CA getting axed, so forgive me if this got a little rambly. We’ll see what happens!

War Rocket Ajax #156: That Means I Win with Justin Aclin

Ajax156There are very few forbidden topics on the War Rocket Ajax Podcast, but this week, we take on one of the few: A discussion about S*** W*** (the Space Fantasy Franchise That Shall Not Be Named Upon The ISB) with Justin Aclin, writer of a new series of Clone Wars graphic novels! Plus, Matt is spending the weekend at C2E2, and Chris is playing a game for creeps.

War Rocket Ajax #156: That Means I Win with Justin Aclin

(WARNING: Contains NSFW language)


We are available on iTunes! Click here to find ComicsAlliance Presents War Rocket Ajax in iTunes, where you can subscribe and leave us a review if you enjoy the show!

You can also stream the show using the player above, or download it in MP3 format from WarRocketAjax.com.

Notes:

Follow Justin Aclin on Twitter!

Read all about the Mandalorian Crushgaunt. Please note that this will take up all of your day and that while you can do it in secret, we will all be able to tell what you did.

In DOA 5, Zack goes full-on minstrel:

AjaxZack

Obviously, we’ll have some pretty big news to discuss on next week’s show. Hoo boy, will we ever.

Chris’s Rec: Mass Effect 3‘s Citadel DLC.

Matt’s Rec: The Mel Brooks episode of Marc Maron’s WTF podcast.

Comics Reviewed: Batman Incorporated #10, Jupiter’s Legacy #1, and G.I. Joe #3.

I Went To The Waffle House

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Atomic Elbow #4

AE04

I don’t think I ever posted about this here on the ISB, but for those of you who enjoy a) professional wrestling and b) my writing, you might want to snag a copy of The Atomic Elbow #4. TAE is a pro wrestling fanzine edited by Robert Newsome, one of the fine fellows who puts on the Fluke minicomics convention down in Athens, which Chad and I will be appearing at in April. It’s a great little mag, and in the fifth issue, I wrote a big article on WCW’s Great American Bash 1992.

As for why I wanted to write about a relatively obscure wrestling event from 20 years ago, well, it has to do with the fact that I really, really wanted to see it when I was a kid, but never got to, so my mom ended up ordering the Pay-Per-View and describing it to me over the phone while I was in another state. For the article, I went back and watched it to see how it stacked up with my mom’s play-by-play.

There’s also an interview with Jill Thompson about wrestling, a report on Chikara, a chat with Chuck Taylor and some other stuff. You can grab it for five bucks, and even though the first three issues don’t have me in them, they’re well worth reading too.

The 8th Awesomeversary (Plus Two Days)

So last Sunday, the 6th of January, was the eighth anniversary of the day I signed up for a Blogger account so that I could get back into the practice of writing. And in true Modern Age ISB fashion, I was too busy writing for other things to update the blog. Whoooooops.

But yeah, it was a pretty big milestone. I started this thing when I was 22, working in a comic book store and wondering if I was ever going to be able to write, and now I’m 30, writing professionally, and I had my first OGN (cowritten with Chad Bowers, with art by Scott Kowalchuk and letters by Josh Krach) announced at New York Comic-Con, in front of a room (half) full of people, some of whom were nice enough to comb New York City for Sun Drop and bring us cans to drink on the panel. That’s pretty big, and it’s something that I can trace right back to the day Phil convinced me that blogging wasn’t a self-indulgent waste of time — or at least, that it was, but it’s the kind of self-indulgent waste of time that I like to do.

Last year, my New Year’s Resolution was to write more and not let the ISB get so fallow, and I think I did okay at it. The “problem,” if you even want to call it that, is that I was doing pretty okay as a freelancer, and most of the stuff I wanted to write was stuff people wanted to pay for. So while the ISB got some reviews of 3 year-old video games (which are still good darn it) and exactly one proof-of-concept recap of Impact Wrestling, I wrote some comics, one of which was actually released to the general public where a few people bought it, and did work for ComicsAliance, Grantland, WithLeather and Wired, writing about stuff I liked to write about. It’s pretty cool.

But anyway, before I get too maudlin and sappy, thanks to everyone who’s reading and is not a jerk (up yours if you are reading and are a jerk), whether you’ve stuck with me for the whole time or you’re new, or if you were just doing a search for vaginal ghosts and wound up here. That is my legacy as a critic, and I have come to accept that.